That stellar low-light performance extends to video too – it may not be able to manage 4K at 60fps but the A7S II is a superb video camera. When combined with optically stabilised (OSS) lenses, the A7s II uses 3 axes on the sensor and 2 axes (Pitch/Yaw) of the lens’ optical stabilisation. It is giving me a lot of control to make it my own. The A7s II has seven customisable Picture Profiles with settings inherited from its Cine-Alta professional camcorders. I am loving the internal stablisation, the custom buttons and custom function menu. Ultra-high sensitivity up to ISO 409600. Distinguished for its impressive performance at high ISOs, the Sony A7s II can deliver usable results for stills and video up to 51200 ISO, with 102400 ISO being the very limit for extreme situations. In an earlier article I outlined how shooting in 4K gives you advantages like being able to pan and zoom, crop and reframe. The A7s II is capable of a maximum of 5fps with speed priority and 2.5fps with focus priority, while the GH5 can manage 9fps in C-AF or 12fps in S-AF. Furthermore, it’s one of the few 4K cameras with a full-frame 35mm sensor. Panasonic menus tend to be much more straightforward, with bright colours and clearly defined categories for the various features. This sony A7Sii has been a great step up from my previous DSLR when it comes to video. It would be impossible to begin this comparison without mentioning the obvious difference in sensor size and resolution. Concerning the connection options, the A7s II has a microphone input and headphone output as well as a Micro HDMI port. Unlike standard HD recording that downsamples the output from the full the 12MP sensor, HFR mode uses a 1920 x 1080 portion of the sensor which results in a 2.2x crop factor. Along came the A7Sii. Enter your email and click the blue button below to open the subscription form. The same firmware update will bring anamorphic 6K at 24fps to the Panasonic camera, letting you take full advantage of the 4:3 surface of the sensor. If most of your photography or videography takes place in very poor light conditions, the A7s II is the obvious choice. If you want more colour information, you need to use the HDMI output that gives you a 4:2:2 8-bit signal. With that, it would stand out against the Sony A7RII/A7SII, but now it is on par. If you want to play this footage back in slow motion, you’ll have to conform the footage in post. The A7s II is capable of a maximum of 5fps with speed priority and 2.5fps with focus priority, while the GH5 can manage 9fps in C-AF or 12fps in S-AF. An updated BIONZ X processing-engine boosts processing speed by approximately 1.8x compared to the a7 II. I have HEVC (h.265 footage) shot on the new a7s iii (4k 120p 10bit 422) and since the footage is very demanding on the CPU, I need to create proxies, but Premiere only supports up to 60fps, so like what was mentioned, I tried using media encoder, and interpreting the footage that way, but the proxy that was created is out of sync with the original clips audio in the … The a7S II uses an even smaller portion of the sensor when shooting HFR footage at 100fps and 120fps to maintain image quality at these high frame rates. The a7S II adds a wealth of videography features, including the ability to record 4K footage internally with full pixel read-out. Finally, with lenses that lack electronic contacts altogether, such as manual focus lenses, the camera uses just 3 axes instead of 5. Excellent. First of all, the GH5 features a fully weatherproof design that is dust, splash and freeze proof down to -10°C, while the A7s II is only dust and splash resistant. Thanks! That’s a lot of data, and it means 4K videos look incredibly rich and smooth. Both cameras have a maximum mechanical shutter speed of 1/8000s. Picture Quality. The biggest advantage the A7s II has over the GH5 in terms of design is its size (126.9 x 95.7 x 60.3mm vs. 138.5 x 98.1 x 87.4mm) and weight (627g vs 725g). Your personal data won't be recorded until the form has been submitted successfully. In our experience, it isn’t particularly fast for either stills or video and the performance deteriorates in poor light conditions. Features. Body Only 05 May 2019 by IVANNAVA (USA) I BOUGHT THIS … To know more about our ethics, you can visit our full disclosure page. The GH5 is the first interchangeable-lens camera to feature 4:2:2 10-bit internal recording, which means it captures double the colour information (4:2:2) and 64 times the colour depth (10-bit). Note: This guide focuses on the a7S II’s recording modes that use the XAVC-S codec. It’s sharp, and the 50Mbps bitrate holds up well. Even after months or years of ownership, there will always be a setting or two whose location will manage to elude you due to its cluttered nature. 4K video output with full pixel readout. The a7S II shoots in the UHD-flavor of 4K only (not DCI/Cinema 4K). Meet the smallest 35 mm full-frame camera. I'm still adjusting to using it for photos as I came from Canon. The GH5 too combines sensor and optical stabilisation using a system called Dual I.S. It’s full-frame only in 4K. Anyone who has owned a Sony mirrorless camera will agree that the menu system isn’t the easiest to navigate. At the time 4K was growing fast and many 4K monitors were being produced. Go to ... 60 fps 1080p and Possibly 60fps 4k (slightly just for slow-mo shots) Main limiters I only have 2K to spend on the camera (Can find both bodies used/new for 2K>) I use Adobe Premiere with the full Creative Cloud Suite Will be … Standard frame rates (24fps, 25fps, and 30fps) are available in all resolutions. In this case, the higher resolution can put the Panasonic at a slight advantage for still photography in certain situations. The final difference worth mentioning is the battery life. In-camera HFR conforming should be avoided at all costs. Some examples of features found on the GH5 that you must pay for and download for the A7s II are: However, to Sony’s credit, there is a wider selection of features (around 33 at the time of writing) and the apps are being updated all the time. First, here’s a quick breakdown of the options you have in each recording mode: Now let’s take a closer look at where each recording mode shines, and when it should be avoided: Whereas the original a7S could only produce 4K video with the aid of a 4K recorder, the a7S II improves upon its predecessor by enabling in-camera 4K recording. Finally, as the native resolution of the a7S II’s 12MP sensor is so close to 4K resolution to begin with (4240 x 2832 vs 3840 x 2160), you cannot change the crop factor when shooting in 4K like you can when shooting in HD. An unfortunate characteristic of Sony cameras is that you have to download a mix of free and paid apps from the Sony Play Memories store to have access to extra features which tend to be included by default on camera models from other brands. Both cameras feature a Log profile setting but the A7s II has two of them (S-Log2 and S-Log3) that are built-in by default to the camera. A7Sii. This is great, because when played back at 24fps, you end up with smooth slow-motion footage that is 5 times slower than normal. For this reason, it has frequently been called the “low-light monster” of the camera world. Skip to Content . The two leaders driving these technological advancements are Sony and Panasonic, which doesn’t come as a surprise since they have years of experience in the professional video equipment sector. 2 compatible cameras, it is more effective than the stabilisation of the Sony camera. Canon 5D Mark IV maybe has a better video codec and eye-catching footage, but 1.7x crop video shooting in 4K is a big turn-off. The GH5 has a full-sized HDMI port and audio in/out too. 2 and in our experience with other Dual I.S. The GH5 is the first Lumix camera to feature the second generation Depth from Defocus contrast detection system with 225 focus points, a new motion detection algorithm and a 480fps drive speed. Your vote has been counted. … However, we cannot expect it to match the performance of the Sony, not only because full-frame sensors almost always outperform crop sensors in poor light conditions but also because the A7s II model was specifically designed for low-light work. Better HD output – … If you decide to buy something after clicking the link, we will receive a small commission. The A7s, by contrast, only has one UHS-I compliant slot. Flagged. Below you can watch a quick video Nick sent to Newsshooter that shows the low-light capabilities of the new GH5. Crisp 120fps upscaled til 4k. This sony A7Sii has been a great step up from my previous DSLR when it comes to video. The a7S II can shoot at high frame rates (HFR) up to 120fps. I'm still adjusting to using it for photos as I came from Canon. Never has there been so much choice in the filmmaking world as there is today when it comes to compact systems capable of producing astounding video quality. Second, whereas the A7s II has a standard 3.0-inch tilting screen without touch capabilities, the GH5 comes with a multi-angle 3.2-inch touchscreen that flips out to one side. Bottom line: The a7S II’s different recording modes may use portions of the sensor which increases the crop factor and narrows the field of view, resulting in a magnified image. SONY; Sony Sites; Electronics. The camera will also maintain a 4:2:0 8-bit option that will raise 4K recording up to 50/60fps. For example, the a7S II’s APS-C mode uses a smaller portion of the sensor, resulting in a 1.5x crop factor. The Sony will be bought by those in the Sony system and purchased by those using the A7SII or maybe the A7III for video. While one battery might not be enough for an entire day of shooting 4K, it definitely lasts longer than the Sony battery. Read more . HD is a great option for many projects, especially since most final videos are currently delivered in HD anyway. Premiere, Resolve, etc.) Frame rates and Crop Factors and Bitrates, Oh My! The camera will include additional settings to control AF sensitivity, AF area switching sensitivity and Moving object prediction. High frame rates for slow motion are HD-only (50fps, 60fps, 100fps, 120fps). Don’t get burned by the a7S II’s very specific memory card requirements. Hassle-Free 4K: How to Choose the Right Memory Card for the Sony a7S II An In-Depth Guide By Sol March in Resources. ), allows you to make your static time-lapse shots to become much more dynamic. Light Painting (a 4K/6K feature known as Light Composition on the GH5). 2. Both cameras have a real-time LUT option to preview real contrast and colours rather than the flat look of the Log profile but only the GH5 has a waveform and vector scope built-in. Ease of Use. The Sony a7S II’s array of frame rates, resolutions, ... 4K Delivery — while not yet too common, if you need to deliver your footage in 4K, it’s best to shoot in 4K as well. Linked to the topic of sensor size is low-light performance, and in the case of the A7s II, it deserves a section all its own. The GH5 uses the same battery as its predecessor, the GH4, and it is one of the longest lasting batteries we’ve ever used on a mirrorless camera. According to Panasonic, the improvement is relevant for video recording too. The GH5 and A7s II both use a contrast detection autofocus system with minimum sensitivity of -4Ev. Without I.S. … NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, 240 fps. If we get the chance to test the two cameras side-by-side, we will publish a full comparison. The Support Crew: Is Sony’s a7S II Fit for Full-Time Video Production? If you’re looking for a compact system camera that … It is giving me a lot of control to make it my own. I only wish it had 4k 60fps. This is awesome, but it means you may … ILCE … For this reason, we usually pack around 2-3 batteries for a full day of shooting. 1. The Sony camera has 4K capabilities (UHD – 3840 x 2160) up to 30fps and 1080p video up to 120fps. The second generation of A7 cameras, comprising the A7 II, A7r II and A7s II, was the first in the Sony E-mount range to integrate 5-axis sensor shift technology.